The opening shot of director/writer James Gray's fifth feature (entitled, "The Immigrant") is an image we're all familiar with: the back of The Statue of Liberty . To many, the statue represents the ideals that America was (allegedly) built on: truth, freedom and the pursuit of happiness.
Gray's film opens in New York City, 1921 as 2 sisters, Ewa (Marion Cotillard) and Magda (Angela Sarafyan) are arriving on Ellis Island to be processed, and hopefully begin their new life in the legendary United States of America. However, they are turned away; Magda has contracted Tuberculosis and is carried away into the infirmary where she will be left until she can be deported back to Poland (the sisters' home country). Ewa, on the other hand, has been accused of having "questionable morals" during her time on the boat ride (we later learn she refused a man's sexual advances) and we learn "America doesn't accept women of questionable morals into the country."
In these first few moments of the film, Gray lays the overall tone of the film. The grand wide shots and bleak, sepia filter of the cinematography accentuate Ewa's helplessness and loneliness, and it becomes very clear why he chose to shoot the infamous statue from the back; While she stands for freedom and the hope of a better life, it becomes clear through the course of the film that she literally has her back turned to Ewa's plight, and the rest of these powerless people.
