It's that time of the year. After consistent guessing and predicting, we are finally starting to get a look at what films truly have the heat going into the Oscar race... at least for right now.
With the Independent Spirit Awards announcing their nominees last week, the Gotham Awards awarding their winners a few days ago, and now announcements from The National Board of Review and The New York Film Critics Circle, things are starting to fall in place... well sort of.
To be fair, these precursors do not decide the Oscars. If you remember back in 2010 when "The Social Network" won every critics award for Best Picture there was, and then went on to lose the Producer's Guild, SAG Ensemble Award and the Oscar, that fact is all too clear in your mind. But again, why these awards are important is because they show what films have heat and what films don't. They can sometimes translate into Oscar success ("The Artist" in 2011, for example) but in a mixed bag of a year like this one, where there is no clear consensus, it's a total toss up.
So, let's examine the first round of winners, shall we?
Wednesday, December 2, 2015
First Round of Industry & Critics' Awards: What Do They Tell Us?
Labels:
carol,
critics awards,
Gotham awards,
mad max,
mad max: fury road,
national board of review,
nbr,
nyfcc,
precursor awards,
saoirse ronan,
spotlight
Tuesday, November 24, 2015
Independent Spirit Award Nominations: "Carol," "Beasts of No Nation" and "Spotlight" Show Strength
The Independent Spirit Awards are hardly predictive of the Oscars; In many cases, they highlight the smaller films that get left out of the overall larger conversation. However, they're important to examine, because of how the high-profile films that do show up here.
So when a film like "Carol," one that is critically acclaimed but sort of an underdog when you look at people's Oscar predictions, leads the nomination count here, that's an important takeaway. It hardly means that the Golden Globes, critics and Oscars will follow the same path, but it shows where some of the heat and momentum is. For right now, at least.
Other leaders are the Netflix film, "Beasts of No Nation" and "Spotlight," while some presumed frontrunners fell a little flat. Take a look for yourself at the full list of nominations below.
So when a film like "Carol," one that is critically acclaimed but sort of an underdog when you look at people's Oscar predictions, leads the nomination count here, that's an important takeaway. It hardly means that the Golden Globes, critics and Oscars will follow the same path, but it shows where some of the heat and momentum is. For right now, at least.
Other leaders are the Netflix film, "Beasts of No Nation" and "Spotlight," while some presumed frontrunners fell a little flat. Take a look for yourself at the full list of nominations below.
Labels:
2015,
beasts of no nation,
carol,
independent film,
independent spirit awards,
precursor awards,
room,
spotlight,
tangerine
Friday, November 20, 2015
"Brooklyn" Is Old School Hollywood Magic
Author Colin Toibin wrote in his novel, "Brooklyn" that his protagonist Ellis Lacey and her family could, "do everything except say out loud what they were thinking." In the film adaptation of that same novel, Academy Award nominee Saoirse Ronan makes this aspect of her character incredibly clear through her incredibly textured performance. Over the course of the movie's near two hour running time, we see the evolution and growth of a young woman in an unfamiliar land play out beautifully across her expressive face.
Labels:
2015,
best actress,
best picture,
best supporting actor,
best supporting actress,
brooklyn,
emroy cohen,
julie walters,
nick hornby,
review,
reviews,
saoirse ronan
Thursday, November 19, 2015
"Carol" Is A Gorgeous, Quietly Intense Love Story
"Carol," is a lot of things. It's an adaptation of the brilliant Patricia Highsmith novel "The Price of Salt." It's masterpiece in the purest sense of the word; It's Todd Haynes most handsome, affecting work to date. It's a showcase for Cate Blanchett, and evidence that she is truly the best actress working today. How she manages to still surprise us all film after film is a thrilling mystery. More important than all of that, is that it is one of the greatest love stories ever committed to film.
Labels:
2015,
best actress,
best picture,
carol,
cate blanchett,
review,
reviews,
rooney mara,
todd haynes
Wednesday, November 18, 2015
Adele Is Back With "25"
It's been about four years since we last heard from Adele, when she began her domination of the record industry. "21" came at a time when album sales were at an all time low. Not even albums by Beyoncé or Lady Gaga could sell as well as earlier efforts; To say the record industry was slogging is an understatement. But then Adele came, and her cross generational appeal combined with being absolutely different from the Gagas and the Katy Perrys of the world that were flooding the radios sent "21" to the top of the charts. It is now one of the best selling albums of all time, and to date has sold 30 million copies worldwide. It still is sitting pretty within the Billboard Top 100.
Labels:
2015,
21,
25,
adele,
album review,
beyoncé,
hello,
review,
reviews,
someone like you,
taylor swift
Friday, November 6, 2015
"Art Angels": Grimes' Fantastic Follow-up To "Visions"
When Grimes (Claire Boucher) released her ambient masterpiece "Visions," back in 2012 she was hailed as the next big thing. Standout tracks 'Oblivion' and 'Genesis' launched her into an internet sensation, and prompted Jay Z himself to sign her to his label, Roc Nation. "Visions" won acclaim from nearly every music journalist out there, posing the aggravating question that every artist must face following a successful record: 'How are you going to outdo yourself the next time around?'
Labels:
2015,
album review,
art angels,
flesh without blood,
grimes,
jay z,
review,
reviews,
roc nation,
visions
Monday, November 2, 2015
"Room" Review
Life for 5-year-old Jack (newcomer Jacob Tremblay) and his ‘Ma’ (Brie Larson from “United States of Tara” and “21 Jump Street”) doesn’t extend outside of the 11-by-11 foot interior of a sealed, sound proof shed. They’ve been held captive for several years by a man only named as ‘Old Nick’. To Jack, this shed (aptly named, Room) is the whole world— at least that’s what his Ma has raised him to think. The truth of the situation is too much for anyone to bear, let alone a young child.
Labels:
2015,
best actress,
best picture,
best supporting actor,
brie larson,
jacob tremblay,
review,
reviews,
room,
toronto film festival
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