The Curious Case of Leonardo DiCaprio

With each Oscar season that passes us by, Leonardo DiCaprio remains Oscar-less. It’s become a tradition of sorts, for the Academy to bestow the award to any one of the other actors nominated alongside DiCaprio. No matter how batty the role is, no matter what he had to do to prepare for it, or how hard he campaigns for it, nothing can seem to win the former teen heartthrob his beloved trophy.

At the risk of setting the actor up for failure, this might just be the year he takes home the gold. DiCaprio is starring in Oscar winner Alejandro González Iñárritu’s followup to the Oscar-winning “Birdman.” “The Revenant,” which co-stars Tom Hardy, focuses on a fur trapper, Hugh Glass [DiCaprio], in the 1820’s who is betrayed, robbed and left for dead by his accomplices following a deadly bear attack. The film follows Glass as he attempts to get his revenge. 

Though not opening to audiences until early next year, following a limited release starting on Christmas Day, buzz is naturally following the film and DiCaprio’s involvement. Reports say that awards analysts have been hired to strategically campaign the film for Oscars and see the film turns a profit after filming delays led to an expanded budget of $135 million. 

It remains to be seen if this will all come to pass, and whether or not DiCaprio’s past ‘snubs’ can carry him to a win after four losses. But has the actor really been ‘snubbed’ like everyone likes to think, or was the competition simply better? Let’s take a look by examining his nominated performances through the years. 

Watch Leonardo DiCaprio in the first trailer for "The Revenant"

Hot off of his triple win for Best Director, Best Original Screenplay and Best Picture (as a producer) for last year's "Birdman", director Alejandro González Iñárritu is back in the race again, but this time for a Western-thriller starring Leonardo DiCaprio and Tom Hardy.

Not much is known about the film, except that DiCaprio plays a fur trapper named Hugh Glass in the 19th century, out for revenge after his companions rob him and leave him for dead following a deadly accident.

The film's budget, $60 million, is much higher than "Birdman" (only made for about $18 million); it'll be interesting to see what Iñárritu is able to pull off with the added flair. Rumor has it the film is being shot using only natural light; Emmanuel Lubezki is handling the cinematography once again, and based on the trailer alone, he may be adding a third consecutive trophy to the ones he won for "Gravity" and "Birdman".

Watch the intense trailer below. "The Revenant" is set for release on December 25th.

Oscars Recap: "Birdman" and Lady Gaga Soar

Neil Patrick Harris and Anna Kendrick started the show off with a huge bang last night. 

This past Oscar season has been so weird, that it's sort of relieving to be able to put a cap on the entire thing. After going on for months bouncing back between "Boyhood", "The Theory of Everything" and "The Imitation Game" as the frontrunner, "Birdman" surged late in the game and eventually ended up on top. Though the film is, at its very core, about actors, it's such a strange, unconventional choice for a Best Picture winner, but an inspired, deserving one, the kind that doesn't usually win because it's too weird. It is a film after all where Michael Keaton levitates in his underwear and flies through New York City… or does he? Is it all in his mind? It’s basically a more actor friendly, less ballet focused “Black Swan”, though starring Michael Keaton and not Natalie Portman. 

Oscar Winners

I will be live-blogging throughout the ceremony. Refresh and sick with me through the night for updates and commentary on winners as they are announced.

Final Oscar Predictions: All the Categories

In just a few short hours, we’ll be able to finally put a cap on one of the most confusing Oscar races in recent history. After going months without a presumed frontrunner, “Boyhood” took the slot after winning the lion’s share of the critics’ prizes and critical acclaim. But despite its critical endorsement, something seemed off; no one seemed truly enthused about anointing Boyhood as the winner. For all of its revelatory scope (being filmed over a period of 12 years with the same actors), it’s a story we have heard dozens of times before. 

That feeling proved true, because as we moved into phase 2 (post-Oscar nominations/guild winners), it was Birdman that jumped in the driver’s seat, winning top honors from the Director’s, Actor’s and Producer’s Guilds. The only major guild award it has lost has been the British Academy Award (BAFTA) which went to Boyhood. Statistics will tell you that it’s between these two for the Best Picture win. 

But will it be a clean sweep? Will these two films dominate the ceremony? Hardly. It’s a competitive year, with a number of strong films threatening to spoil these two dog race. So, let’s a look through each category; Who will emerge the night’s biggest winner? 

BAFTA Winners: Boyhood Makes a Comeback!

"Birdman" may have sailed to frontrunner status with wins at the PGA, DGA and SAG, "Boyhood" hit the ground running at the BAFTA's, winning in Supporting Actress, Director and Picture. Birdman, on the other picked up a win with Cinematography, with Eddie Redmayne (expectedly) walking away with the Best Actor trophy. He is the favorite to win the Oscar at this point.

"The Grand Budapest Hotel" also picked up some major wins; it's clear that the enthusiasm is spread between these three films; but which one is going to end up on top come Oscar time?

Take a look at the full list of winners below.

"Birdman" Poised to Win Best Picture

In what must be the most unexpected surge towards Best Picture in recent history, director Alejandro González Iñárritu picked up the big win at last night's DGA awards, fresh off of his film's wins with the PGA and SAG a few weeks ago. Though it certainly seemed like this would b Richard Linklater's trophy to lose, "Birdman" has solidified itself as the film to beat for the top prize with the Oscars in a few weeks.

Producer's Guild and Screen Actor's Guild: The Race is Wide Open

Move aside "Boyhood", we have a new frontrunner on our hands. 

If you thought that this year's Oscar race was getting a little boring (like me), then this weekend was exactly what you needed. After winning nearly every critic's prize and the Golden Globe, it seemed "Boyhood" was getting ready to steamroll its way to the Oscars. But with announcements from the Producer's Guild and the Screen Actor's Guild, its path just got a little more obscure.

Broadcast Film Critics Awards

Full list of winners below:

Academy Award Nominations: The Whitest Oscars Since 1998

Sometimes, the critics do matter; Marion Cotillard was nominated in Best Actress in a Leading Role for "Two Days, One Night". 

"Wow" just about sums up my reaction to this year's Oscar nominations. As they always do, the Academy reminded us that they really do go their own way when it comes to what they see as 'the best'. 

*Yawn* DGA Nominations

Ava DuVernay was left off of the DGA shortlist this morning in favor of Clint Eastwood and Morten Teldum. 

In hindsight, awards don't mean anything. Year after year great films are produced and go unnoticed by voters in favor of mediocre awards-bait.

But what's so disappointing, is that a film that is not only great (the best of the year) on ever level, but socially relevant, is being shut out of awards contention. And as I sit here typing these words, maybe that's why "Selma" is being snubbed by all of the guilds (PGA, SAG and now the DGA).

Recap: Last Night's Golden Globes

Margaret Keane's best "Big Eyes" painting was in attendance at last night's ceremony.

If there's anything learned watching last night's Golden Globes, it's that the HFPA really is into doing their own thing. Several categories went in a completely different direction, awarding the underdogs in their respective races. It seems like the Globes are really trying their best to distance themselves away from the organization that nominated "The Tourist" back in 2011, especially in regards to the television categories.

"Selma" Snubbed Again at the BAFTA's

It's honestly mind-blowing to me that the year's best film is having such a hard time with awards season. Though I suppose a lot of the blame has to be placed upon distributor Paramount for the lack of screeners being released to voters, and the hackneyed release (though that apparently has to do with how late team "Selma" was in finishing the final cut of the film).

Still, the fact that BAFTA did not give the film a single nomination is a clear snub. Instead, "The Grand Budapest Hotel" showed some very robust, and unexpected strength and managed 11 nominations, the most for any film this year.

"The Theory of Everything" predictably did very well with BAFTA, while "Boyhood", "The Imitation Game" and "Birdman" continued their status as top-tier contenders.

See the full list of nominations (and commentary) below.

PGA Nominees: Selma Snubbed

When it comes to predicting the Oscar's Best Picture line up, the Producer's Guild is the most important precursor there is. They're usually pretty accurate, though there are often 1 or 2 that miss with Oscar (last year's "Blue Jasmine", 2012's "Skyfall", 2011's "Bridesmaids").

The biggest surprise looking at this year's list of nominees, is in the inclusion of Clint Eastwood's "American Sniper" and Dan Gilroy's "Nightcrawler"  and the exclusion of Ava DuVernay's "Selma". In the case of Nightcrawler, the film seems to be beloved by many; Jake Gyllenhaal's performance has received substantial acclaim and the film itself is popping up in many other Best Picture lists, but it's always been perceived as an Oscar play for Gyllenhaal and not a serious Best Picture play. American Sniper, on the other hand, has received some positive reviews (mainly for leading man Bradley Cooper) and won big with the NBR, but hasn't really popped up anywhere else. Eastwood always registers better with the Academy, however, so I guess it shouldn't be that much of a surprise.

But the fact it made it in over the universally acclaimed Selma, is shocking to me, and hopefully not telling of what's to come with Oscar. Both films have yet to expand in wide release, but have been doing very well at the box office. If anything, I think Selma will eventually edge out Nightcrawler come Oscar morning.

Despite raking in some major money over the holidays, neither Angelina Jolie's "Unbroken" or Rob Marshall's "Into the Woods" could find any love here. In the case of Jolie, her film failed to live up to the monumental expectations dumped upon it as the frontrunner from the moment it was announced. Woods, on the other hand, received some great notices, but not as a Best Picture play. That shouldn't keep it from receiving attention for Meryl Streep and the craft/tech work.

The big winner though, is "The Grand Budapest Hotel", which has been receiving just about every nod it needed to overcome its early release date, including SAG, the Globes and now the PGA. I think it has what it takes to be one of the film's with the most nominations. And "Whiplash", once seen as a vehicle for eventual Best Supporting Actor winner J.K. Simmons, could squeak in on passion as "the little indie that could". It'll be interesting to see what eventually ends up on Oscar's shortlist.

See the full list of nominees below.

Golden Globe Predictions: Boyhood vs. Selma?

I've said it before and I'll say it again, this has been the strangest Oscar season in recent history. All of the contenders have been seen, and though "Boyhood" cleaned up the critic's awards, we still don't have a true frontrunner (remember, critics don't vote for the Oscars, just ask "The Social Network"). Next Sunday, the first major awards group from phase 2 (post-critics) will announce their winners: The Golden Globes. 

In recent years, the Globes have become a pretty substantial precursor, at least in predicting the nominees (sometimes you can win a Golden Globe and it doesn't really do much for winning momentum, ex: Jessica Chastain of "Zero Dark Thirty"). This year especially, the Globes seem to be trying to establish themselves as a serious awards body; gone is the group who nominated Angelina Jolie for just about anything ("The Tourist"); she and "Unbroken" were completely shut out this year in favor of non-household names such as Ava DuVernay ("Selma"). 

Speaking of DuVernay, her film is picking up a lot of (deserved) steam in this race, giving "Boyhood" quite the run for its money, heading into phase 2. That late release date barred its inclusion from many of the critic's awards and SAG, but its recognition at the Globes, the worldwide acclaim and assured box office success should give it all it needs to clean up nomination-wise at the Oscars in the coming weeks. If Richard Linklater and company have anyone to worry about at the Globes next Sunday, its team "Selma". 

Read my predictions, complete with commentary, below.

Golden Globe Nominations

See the full list of Film nominees below.

21st Annual Screen Actors Guild Award Nominations

Full nomination list (and reactions) below.

Birdman Leads Independent Spirit Award Nominations

Read below to find out which films were nominated and which films were left out.

The Independent Spirit Awards will be held on February 21st, 2015.

Birdman Soars

There are not many actors or actresses working in Hollywood today that are so willing to have their personal, real life narratives, play alongside their character's as a way of constructing a performance. The reason why Natalie Portman's performance in "Black Swan" was such a triumph, was because the film was as much about Nina Sayers finding her inner Black Swan as it was Natalie Portman. Watching that movie, we not only saw the character go from being a meek, submissive girl into a complicated, strong woman, but we also saw a capable, yet underrated actress transform into a true leading lady.

That technique is front and center in director/writer Alejandro González Iñárritu's black comedy "Birdman", a film about a fading actor, once known for playing a superhero, trying desperately to be remembered for anything but playing a superhero. That actor, Riggan Thomson, is played by Michael Keaton, an actor that hasn't done much of anything since he played a superhero back in the 90's. Much like his character, Keaton was in need a project that showcased his acting talent. Birdman is that film, and then some.

The Calm Before the Storm: Where are we in the Oscar Race?

"Boyhood", "The Imitation Game", "The Theory of Everything", "Birdman", "Foxcatcher" and "Gone Girl" all look like Best Picture nominees, but who is leading?

The Oscar race is a fickle thing; the slightest bit of negative buzz can all but deter a film on the winning track to implosion. Your buzz can never peak too early, and your release date can't be too far away from the end of the year. Sure, you can skip the festivals (New York, Cannes, Venice, Telluride) but you better have a hell of a box office success story, or Meryl Streep playing a Holocaust victim in a film backed by Harvey Weinstein if you want to secure some major nominations.


At this point last year, we had "Gravity" breaking box office records, and "12 Years A Slave" had won the top prize at the Toronto Film Festival; these were undisputed frontrunners. It was going to come down to these 2 (and it did, with some heat from "American Hustle"). I can honestly say that as of right now, I have no idea what film will win Best Picture; we don't really have a front runner.