Oscars Recap: "Birdman" and Lady Gaga Soar

Neil Patrick Harris and Anna Kendrick started the show off with a huge bang last night. 

This past Oscar season has been so weird, that it's sort of relieving to be able to put a cap on the entire thing. After going on for months bouncing back between "Boyhood", "The Theory of Everything" and "The Imitation Game" as the frontrunner, "Birdman" surged late in the game and eventually ended up on top. Though the film is, at its very core, about actors, it's such a strange, unconventional choice for a Best Picture winner, but an inspired, deserving one, the kind that doesn't usually win because it's too weird. It is a film after all where Michael Keaton levitates in his underwear and flies through New York City… or does he? Is it all in his mind? It’s basically a more actor friendly, less ballet focused “Black Swan”, though starring Michael Keaton and not Natalie Portman. 

Oscar Winners

I will be live-blogging throughout the ceremony. Refresh and sick with me through the night for updates and commentary on winners as they are announced.

Final Oscar Predictions: All the Categories

In just a few short hours, we’ll be able to finally put a cap on one of the most confusing Oscar races in recent history. After going months without a presumed frontrunner, “Boyhood” took the slot after winning the lion’s share of the critics’ prizes and critical acclaim. But despite its critical endorsement, something seemed off; no one seemed truly enthused about anointing Boyhood as the winner. For all of its revelatory scope (being filmed over a period of 12 years with the same actors), it’s a story we have heard dozens of times before. 

That feeling proved true, because as we moved into phase 2 (post-Oscar nominations/guild winners), it was Birdman that jumped in the driver’s seat, winning top honors from the Director’s, Actor’s and Producer’s Guilds. The only major guild award it has lost has been the British Academy Award (BAFTA) which went to Boyhood. Statistics will tell you that it’s between these two for the Best Picture win. 

But will it be a clean sweep? Will these two films dominate the ceremony? Hardly. It’s a competitive year, with a number of strong films threatening to spoil these two dog race. So, let’s a look through each category; Who will emerge the night’s biggest winner? 

Inside the Mind of an Academy Member: Resented 'Selma' filmmakers wearing "I can't breathe" T-Shirts

Every year Scott Feinberg of The Hollywood Reporter does anonymous interviews with Academy members about how they voted on each category. This is done largely in part to create hype around the upcoming ceremony and distract from the inevitable winners and create some excitement. The Oscars use a preferential ballot so everyone has their favorites; it's nice to see a shout out for someone who may not have won anything all season.

But usually what this does is point out how out of touch, and ignorant Academy voters are. Remember last year when several voters admitted to not even watching "12 Years A Slave"? Though the film ended up winning Best Picture, it points out how flawed the system is; Voters aren't watching the films, which points out what a farce the Oscars themselves are.

This year is no different, as an interview conducted with a female voter is choosing Patricia Arquette for "having no work done in 12 years" and believes "there is no artistry in 'Selma'".

BAFTA Winners: Boyhood Makes a Comeback!

"Birdman" may have sailed to frontrunner status with wins at the PGA, DGA and SAG, "Boyhood" hit the ground running at the BAFTA's, winning in Supporting Actress, Director and Picture. Birdman, on the other picked up a win with Cinematography, with Eddie Redmayne (expectedly) walking away with the Best Actor trophy. He is the favorite to win the Oscar at this point.

"The Grand Budapest Hotel" also picked up some major wins; it's clear that the enthusiasm is spread between these three films; but which one is going to end up on top come Oscar time?

Take a look at the full list of winners below.

"Birdman" Poised to Win Best Picture

In what must be the most unexpected surge towards Best Picture in recent history, director Alejandro González Iñárritu picked up the big win at last night's DGA awards, fresh off of his film's wins with the PGA and SAG a few weeks ago. Though it certainly seemed like this would b Richard Linklater's trophy to lose, "Birdman" has solidified itself as the film to beat for the top prize with the Oscars in a few weeks.

Broadcast Film Critics Awards

Full list of winners below:

Academy Award Nominations: The Whitest Oscars Since 1998

Sometimes, the critics do matter; Marion Cotillard was nominated in Best Actress in a Leading Role for "Two Days, One Night". 

"Wow" just about sums up my reaction to this year's Oscar nominations. As they always do, the Academy reminded us that they really do go their own way when it comes to what they see as 'the best'. 

Academy Award Nominations: What to Expect Tomorrow

Frontrunner "Boyhood" has a lot of momentum going into nomination day. 

We've heard from the Globes, and we're still awaiting on final decisions from SAG, the DGA, the PGA and the Broadcast Film Critics, but we finally have a consensus, at least.

Recap: Last Night's Golden Globes

Margaret Keane's best "Big Eyes" painting was in attendance at last night's ceremony.

If there's anything learned watching last night's Golden Globes, it's that the HFPA really is into doing their own thing. Several categories went in a completely different direction, awarding the underdogs in their respective races. It seems like the Globes are really trying their best to distance themselves away from the organization that nominated "The Tourist" back in 2011, especially in regards to the television categories.

"Selma" Snubbed Again at the BAFTA's

It's honestly mind-blowing to me that the year's best film is having such a hard time with awards season. Though I suppose a lot of the blame has to be placed upon distributor Paramount for the lack of screeners being released to voters, and the hackneyed release (though that apparently has to do with how late team "Selma" was in finishing the final cut of the film).

Still, the fact that BAFTA did not give the film a single nomination is a clear snub. Instead, "The Grand Budapest Hotel" showed some very robust, and unexpected strength and managed 11 nominations, the most for any film this year.

"The Theory of Everything" predictably did very well with BAFTA, while "Boyhood", "The Imitation Game" and "Birdman" continued their status as top-tier contenders.

See the full list of nominations (and commentary) below.

Golden Globe Predictions: Boyhood vs. Selma?

I've said it before and I'll say it again, this has been the strangest Oscar season in recent history. All of the contenders have been seen, and though "Boyhood" cleaned up the critic's awards, we still don't have a true frontrunner (remember, critics don't vote for the Oscars, just ask "The Social Network"). Next Sunday, the first major awards group from phase 2 (post-critics) will announce their winners: The Golden Globes. 

In recent years, the Globes have become a pretty substantial precursor, at least in predicting the nominees (sometimes you can win a Golden Globe and it doesn't really do much for winning momentum, ex: Jessica Chastain of "Zero Dark Thirty"). This year especially, the Globes seem to be trying to establish themselves as a serious awards body; gone is the group who nominated Angelina Jolie for just about anything ("The Tourist"); she and "Unbroken" were completely shut out this year in favor of non-household names such as Ava DuVernay ("Selma"). 

Speaking of DuVernay, her film is picking up a lot of (deserved) steam in this race, giving "Boyhood" quite the run for its money, heading into phase 2. That late release date barred its inclusion from many of the critic's awards and SAG, but its recognition at the Globes, the worldwide acclaim and assured box office success should give it all it needs to clean up nomination-wise at the Oscars in the coming weeks. If Richard Linklater and company have anyone to worry about at the Globes next Sunday, its team "Selma". 

Read my predictions, complete with commentary, below.

Critics, Globes & SAG: What Do They Tell Us?

I can't remember the last time an Oscar race was so unpredictable; though "Boyhood" is the "critical favorite" of this year, I don't know if it's our Best Picture winner yet. "Birdman" is the film that's getting the most notices in many of the other craft categories, while "The Theory of Everything" and "The Imitation Game" are playing well for Academy members, and showed surprising strength over more ensemble-like fair such as "Into the Woods" with the Screen Actors Guild. Then there are critical favorites like "Nightcrawler" and "The Grand Budapest Hotel" that are winning traction outside of the categories they were originally predicted in. Waiting in the wings, is Ava Duvernay's MLK biopic, "Selma", which is poised to one of the most critically acclaimed films of the year, not to mention, it's Academy friendly material that appeals to the zeitgeist. In other words, it's a real toss up.

Let's see who is up and who is down after the busy week.

Golden Globe Nominations

See the full list of Film nominees below.

21st Annual Screen Actors Guild Award Nominations

Full nomination list (and reactions) below.

Oscar Contenders: Who is Up and Who is Down?

"American Hustle" racked up 10 nominations last year, and you can attribute that to buzz 100%. By the time nomination ballots were filled out, the film had been anointed as the frontrunner by the New York Film Critics Circle (the first major group to hand out awards). The NYFCC blatantly changed their awards date to be the first, before the Los Angeles critics and before the National Board of Review, but this was no accident. It's universally accepted that the group wanted to establish their impact as an organization, and they did by shoving American Hustle firmly into the race. They gave the film Best Picture, Screenplay and Supporting Actress honors, with director David O. Russell coming in 2nd to Steve McQueen, and Amy Adams placing 2nd to Cate Blanchett. The film had a strong early reception from industry insiders, all of which had taken place before anyone of importance had actually seen the film.. and thus it walked away with 10 Oscar nominations. But when voters and audiences sat down to watch the film, the reception had become more divisive. In the end, it walked away with 0 Oscars of those 10 nominations. This is an example of how buzz and hype can build your film up, but also how it can tear you down.

Hype now dominates the Oscar race. What films have the most hype? What are people on the internet talking about? Which films are being talked about the most? Following a film's buzz is arguably the best way to guess where its Oscar standing is. It's been about a month since we last sat down and looked at the Oscar race. Several high profile contenders have been released since, but have they stuck their landing? Let's see where they stand. 

The Calm Before the Storm: Where are we in the Oscar Race?

"Boyhood", "The Imitation Game", "The Theory of Everything", "Birdman", "Foxcatcher" and "Gone Girl" all look like Best Picture nominees, but who is leading?

The Oscar race is a fickle thing; the slightest bit of negative buzz can all but deter a film on the winning track to implosion. Your buzz can never peak too early, and your release date can't be too far away from the end of the year. Sure, you can skip the festivals (New York, Cannes, Venice, Telluride) but you better have a hell of a box office success story, or Meryl Streep playing a Holocaust victim in a film backed by Harvey Weinstein if you want to secure some major nominations.


At this point last year, we had "Gravity" breaking box office records, and "12 Years A Slave" had won the top prize at the Toronto Film Festival; these were undisputed frontrunners. It was going to come down to these 2 (and it did, with some heat from "American Hustle"). I can honestly say that as of right now, I have no idea what film will win Best Picture; we don't really have a front runner.

Oscar Race: Turning Up the Heat

The end of the summer is upon us, and with the Venice Film Festival just around the corner (starting on the 27th and ending on the 6th of September), we're really about to get in the thick of Oscar season.

Of course, the summer has been dominated (mainly) by buzz; none of the films that are being predicted to be heavyweights in the season have premiered to the masses yet, except for Richard Linklater's "Boyhood" (more on that later). Of the films predicted to do well this season, even fewer have had premieres at all ("Whiplash" had Sundance, "Foxcatcher" had Cannes, "Birdman" will open Venice in a week's time); we've mainly been restricted to pictures, hearsay and trailers.

So, where does that leave us now?

Boyhood: A Film 12 Years in the Making

Our eponymous "boy" played by Eller Coltrane as he ages through the film's 164 minute duration. 

By now, I'm sure everyone has heard of Richard Linklater's "Boyhood"; its the film that took literally 12 years to make. Over this period of 12 years, for a few days, Linklater (serving not only as the film's director, but writer as well) and his cast and crew would assemble for a few days or so every year to revisit the characters, slowly inching towards its emotional conclusion.

Boyhood is a strangely simple title given the laundry list of themes the film explores. Sure, at the center is Mason (Coltrane) who we are watching literally age and grow up. But besides that, Linklater tackles abusive relationships, coming of age, falling in love, absent parents, and (briefly) sex, drugs and alcohol; with Boyhood, Linklater has taken snapshots in time and assembled them into the human experience.